b. 1969
b. 1969
For more than three decades, Shahzia Sikander (born 1969, Pakistan) has been animating South Asian visual histories through a contemporary perspective. Her work reimagines the past for our present moment, proposing new narratives that cross time and place. Working in a variety of mediums—paintings, drawings, prints, digital animations, mosaics, sculpture, and glass—Sikander considers Western relations with the global south and the wider Islamic world, often through the lens of gender and body politics. Her work is rooted in a lexicon of recurring motifs that makes visible marginalized subjects. At times turning the lens inward, Sikander reflects on her own experience as an immigrant and diasporic artist working in the United States.
Sikander earned a B.F.A. in 1991 from the National College of Arts in Lahore, Pakistan. Her seminal thesis work, The Scroll, 1989–1990, which initiated the start of the neo-miniature movement, garnered awards, exhibitions and press, and led to increased enrollment in the NCA’s miniature painting department. Subsequently, Sikander was appointed lecturer in miniature painting at the school. The artist moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997, she participated in the Glassell School of Art’s CORE Program at The Museum of Fine Arts, Houston. A recipient of a MacArthur Fellowship (2006) and the State Department Medal of Arts (2012), Sikander’s innovative work has been exhibited and collected internationally.
A major new outdoor project, an 8-foot bronze female sculpture, is currently on the roof of the Appellate Courthouse in Manhattan. An accompanying 18-foot female sculpture was exhibited in Madison Square Park in 2023 and traveled to the University of Houston in 2024. Every midnight in September 2023, Sikander’s animation, Reckoning, 2020, unfolded across the screens of Times Square. Projects with the Moynihan Train Hall Public Art Program saw her animation Singing Suns, 2016, displayed across screens in Moynihan Train Hall from November 2023 to January 2024. A survey exhibition of Sikander’s work, Collective Behavior, opened in Venice during the Biennale Arte 2024 and was co-organized by the Cincinnati Art Museum and Cleveland Museum of Art. The exhibitions in Cleveland and Cincinnati open in February 2025.
A profile of multimedia artist, Shahzia Sikander. Born in Lahore, Pakistan, Sikander moved to the United States in the 1990s. Over the subsequent years, her practice--which has expanded to include paintings, video installations, prints, and sculpture -- has been pivotal in showcasing the art of the South Asian diaspora as a contemporary American tradition.
Neil Koenig, former BBC Producer/Director and now ideaXme board advisor interviews artist Shahzia Sikander.
“Shahzia Sikander: Extraordinary Realities” | An Overview, The Museum of Fine Arts, Houston, March 25, 2022
In Conversation: Shahzia Sikander NA and Chrissie Iles, National Academy of Design, February 24, 2022
Art+ | Mapping Queerness: Gender and Sexuality in South Asian Diasporic Art, Asian Society, February 23, 2022
PBS NewsHour, Sep 24, 2021.
Shahzia Sikander: Extraordinary Realities at the The Morgan Library & Museum
Shahzia Sikander: Unbound – Khilvat Series
Julie Mehretu and Shahzia Sikander In Conversation, Moderated by Gayatri Gopinath
In conversation: Shahzia Sikander and Glenn Lowry, June 24, 2021
In conversation: Shahzia Sikander and Jeffrey Grove, December 3, 2020
Breaking Binaries: Thinking About Art in the Covid Age - Shahzia Sikander and Vishakha Desai, Pera Müzsei
Shahzia Sikander in conversation with Sadia Abbas and Ayad Akhtar, September 30, 2020
On the occasion of her forthcoming exhibition, Weeping Willows, Liquid Tongues, which will take place at the gallery from November 5 through December 19, 2020, Shahzia Sikander will be in conversation with Sadia Abbas, writer and professor at Rutgers University-Newark and the Stavros Niarchos Center for Hellenic Studies at Simon Fraser University and Ayad Akhtar, Pulitzer Prize–winning playwright and author. They will discuss Sikander’s exhibition, Sadia Abbas' forthcoming publication, Shahzia Sikander: Extraordinary Realities and Ayad Akhtar’s much acclaimed new book Homeland Elegies.
The Art of Independence: Visions of the Future in India and Pakistan
A conference held at at the Ashmolean Museum on October 12, 2017 and the Courtauld Institute of Art on October 13, 2017, convened by Faisal Devji and Mallica Kumbera Landrus (University of Oxford) with Deborah Swallow and Zehra Jumabhoy (The Courtauld Institute of Art, London). The conference was co-organised by the Ashmolean Museum, the Courtauld Institute of Art—Sackler Research Forum, the Oxford Centre for Global History and the Asian Studies Centre of St Antony’s College, and co-funded by the Oxford India Centre for Sustainable Development of Somerville College, the John Fell Fund, the Radhakrishnan Fund, the University Engagement Programme (funded by the Andrew W. Mellon Foundation), and the Oxford Research Centre in the Humanities.
Day 2, Futures Lost and Found: Citizenship and Contemporary Art (The Courtauld Institute of Art, London) Shahzia Sikander in conversation with Faisal Devji
Shahzia Sikander: Disruption as Rapture, Philadelphia Museum of Art, June 15, 2017
Drawing in Glass: Shahzia Sikander at Princeton University, Princeton University Art Museum, May 22, 2017
MAXXI Museum, Shahzia Sikander: Ecstasy As Sublime, Heart As Vector, July 12, 2016
Shahzia Sikander on Persian Miniature Painting, The Artist Project, Metropolitan Museum of Art, September 15, 2015
Shahzia Sikander at Sharjah Biennial 11, Artist to Artist, Art 21, October 11, 2013
SHORT: Shahzia Sikander: "The Last Post", Art 21 "Exclusive", January 25, 2013
Shahzia Sikander at the 13th Istanbul Biennial, Artist to Artist, Art 21, October 25, 2013