Since 2008, Sam Moyer has developed a distinctive language of abstraction that considers questions of value, labor and beauty. Her practice has evolved from its more conceptual and process-based origins to address formal and theoretical issues regarding the construct of painting. In all her production, issues of scale and space remain critical, and Moyer is particularly interested in the way architecture functions in tandem with her objects to create dynamic visual experiences. All these concerns coalesce vividly in Moyer’s most recent paintings, large compositions of variegated and multi-hued sections of repurposed marble, slate and stone combined with fabrics in a spectrum of colors. Combining found textures and objects in innovative ways, Moyer manipulates them into beautifully abstract formal works that provoke a new, expanded, artistic vocabulary.
Sam Moyer’s works are included in prominent collections including the Whitney Museum of American Art, New York; Yale University Art Gallery, New Haven; Louis Vuitton Foundation, Paris; and The Aïshti Foundation, Beirut. Moyer has exhibited her work at The Drawing Center (New York, NY), The Bass Museum (Miami, FL), University of Albany Art Museum (Albany, NY), The Public Art Fund (New York, NY), White Flag Projects and The Contemporary Art Museum St. Louis (St. Louis, MO), LAND (Los Angeles, CA), Tensta konsthall (Stockholm, SW), Cleopatra’s Greenpoint (Brooklyn, NY), and Société (Berlin, DE). She has also participated in "Greater New York" and “Between Spaces” at PS1 Contemporary Art Center, Queens. Exhibitions of her work have also been shown at Galerie Rodolphe Janssen (Brussels, BE), Rachel Uffner Gallery (New York, NY), Venus over Manhattan (New York, NY), Autocenter (Berlin, GE), and Artists Space (New York, NY) among other venues. She received her BFA from the Corcoran College of Art and Design and her MFA from Yale. She lives and works in Brooklyn.