Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Sean Kelly at Art Basel 2018

Three Generations Presentation

June 14 - 17, 2018, Hall 2.1, Booth R2

Photography: Sebastiano Pellion di Persano

Generation 1 (1940 - 1959)

ANTHONY MCCALL

Smoke Screen I, 2017

gelatin silver print mounted on museum board and aluminum

framed: 62 1/8 x 45 3/4 x 1 7/8 inches (157.8 x 116.2 x 4.8 cm)

edition of 3 with 1 AP (#1/3)

the work is accompanied by a signed certificate of authenticity

AMC-224.L.1

CANDIDA HÖFER

Benediktinerstift Admont III 2014

C-print

paper: 70 7/8 x 78 7/8 inches (180 x 200.4 cm)

framed: 72 7/16 x 80 1/2 inches (184 x 204.4 cm)

edition of 6 with 3 APs (#2/6)

signed, titled and numbered on label, verso

CH-8711.2

JAMES CASEBERE

Yellow House on Water, 2018

framed archival pigment print mounted to dibond

paper: 44 x 66 3/4 inches (111.8 x 169.5 cm)

framed: 46 11/16 x 69 7/16 x 2 1/4 inches (118.6 x 176.4 x 5.7 cm)

edition of 5 with 2 APs (#3/5)

signed by the artist on label, verso

JC-268.3

MARINA ABRAMOVIC

Lips of Thomas, 1975/2005

two channel video installation,

96 minutes (synchronized loop)

edition of 5 with 2 APs (#3/5)

the work is accompanied by a signed certificate of authenticity

MA-228

REBECCA HORN

Windgesicht, 2008

acrylic on paper

paper: 71 5/8 x 59 1/16 inches (182 x 150 cm)

framed: 81 1/2 x 68 7/8 x 1 3/4 inches (207 x 175 x 4.5 cm)

RH-BL-1009

TEHCHING HSIEH

Tehching Hsieh 1978 - 1999

posters and statements mounted on boards in 6 parts

statement: 11 x 8 1/2 inches (27.9 x 21.6 cm) each

poster: 16 3/4 x 11 inches (42.5 x 27.9 cm) each

board: 21 x 25 inches (53.3 x 63.5 cm) each

framed: 22 x 26 x 1 1/2 inches (55.9 x 66 x 3.8 cm) each

edition of 36 (exhibition copy)

TEH-3.EXa-f

Generation 2 (1960 - 1979)

CALLUM INNES

Exposed Painting Byzantine Blue, 2018

oil on linen

92 1/2 x 90 9/16 inches (235 x 230 cm)

signed by the artist, verso with accompanying signed certificate of authenticity

CI-10.18

DAVID CLAERBOUT

Breathing Bird, 2012

two channel video on flatscreens (19 inch), color, silent

edition of 5 with 1 AP and 1 AC (#3/5)

the work is accompanied by a signed certificate of authenticity

DC-42.3

Janaina Tschäpe

The Girl and The Swan, 2017

casein and colored pencil on canvas

painting: 81 3/4 x 58 1/4 inches (207.6 x 148 cm)

framed: 82 5/8 x 59 x 2 5/8 inches (209.9 x 149.9 x 6.7 cm)

signed and dated by the artist, verso

JTs-P.17.4257

FRANK THIEL

Perito Moreno #06, 2012/2013

framed chromogenic print face mounted to Plexiglas

framed: 84 1/8 x 70 x 2 1/8 inches (213.7 x 177.7 x 5.5 cm)

edition of 5 with 2 APs (#1/5)

titled, dated, signed and numbered on verso

FT-PM.06.L.1

IDRIS KHAN

'I can still see you, an echo to be touched’, 2018

3 ink stamped glass sheets, aluminum and steel

64 15/16 x 55 1/8 x 7 1/16 inches (164.9 x 140 x 18 cm)

unique

the work is accompanied by a signed certificate of authenticity

IK-328

JOSE DAVILA

Fundamental Concern I, 2018

San Andrés stone volumes, concrete board volume, plaster, volcanic rock and ratchet strap

84 5/8 x 22 13/16 x 18 1/8 inches (215 x 58 x 46 cm)

the work is accompanied by a signed certificate of authenticity

JDa-18.87

JAMES WHITE

Large Glass (rift), 2018

oil and varnish on acrylic faced panel in Perspex box frame

54 15/16 x 66 3/4 x 2 3/4 inches (139.5 x 169.5 x 7 cm)

signed, titled and dated by artist, verso

JWh-52

MARIKO MORI

Plasma Stone I, 2017-2018

Dichroic coated layered acrylic, Corian base

76 3/8 x 31 1/2 x 44 1/8 inches (194 x 80 x 112.1 cm)

edition of 3 with 2 APs (#1/3)

the work is accompanied by a signed certificate of authenticity

MMo-67.1

PETER LIVERSIDGE

Cady's Hall, 2011

pair of unique Polaroid 600 photographs

image: 3 1/8 x 3 inches (7.9 x 7.6 cm) each

Polaroid: 4 1/4 x 3 1/2 inches (10.8 x 8.9 cm) each

framed: 12 1/2 x 10 3/8 inches (31.8 x 26.4 cm) each

numbered, dated and signed in pencil by the artist, verso

PLi-35a,b

Generation 3 (After 1980)

HUGO MCCLOUD

2006ing, 2018

patina, oil stick, solder on solid bronze sheet, mounted on aluminum frame 

79 x 66 1/2 inches (200.7 x 168.9 cm)

signed by the artist, verso

HM-206

JULIAN CHARRIÈRE

An Invitation to Disappear - Sanggau, 2018

archival pigment print on Hahnemühle Photo Rag, mounted on aluminum dibond, framed, Mirogard anti-reflective glass

paper: 59 1/16 x 73 13/16 inches (150 x 187.5 cm)

framed: 60 9/16 x 75 5/16 x 2 inches (153.8 x 191.3 x 5 cm)

edition of 3 with 1 AP

the work is accompanied by a signed certificate of authenticity

JCh-287

LANDON METZ

Untitled, 2017

dye on canvas

each panel: 80 x 64 inches (203.2 x 162.6 cm)

overall: 80 x 128 inches (203.2 x 325.1 cm)

signed and dated by the artist, verso

LMe-8a,b

SAM MOYER

Dogwood, 2018

marble, hand painted canvas mounted to MDF panel

49 1/8 x 36 1/8 x 1 1/4 inches (124.8 x 91.8 x 3.2 cm)

the work is accompanied by a signed certificate of authenticity

SM-P.18.07

SUN XUN

Time Spy, 2016

woodcut painting in 25 parts

approx. overall: 62 x 69 inches (157.5 x 175.3 cm)

SX-8351

Press Release

Art Basel 49 - Hall 2.1 - Booth R2

Sean Kelly is delighted to present a dynamic evolving presentation on our booth, R2, at Art Basel 49. Three Generations will feature three different installations, each lasting two days. Each presentation will feature new work of artists linked by the era in which they were born: 1940-1959, 1960-1979, and after 1980.

Three Generations unfolds as a series of three distinct installations. The first installation, Tuesday, June 12th and Wednesday, June 13th, includes pieces by the gallery’s most senior artists, some of whom have worked with the gallery since its inception in 1991, including Marina Abramović, James Casebere, Candida Höfer, Rebecca Horn, Tehching Hsieh, Joseph Kosuth, Anthony McCall and Julião Sarmento.

The second presentation, Thursday, June 14th and Friday, June 15th, focuses on mid-career artists and includes David Claerbout, Jose Dávila, Laurent Grasso, Ilse D’Hollander, Callum Innes, Idris Khan, Peter Liversidge, Mariko Mori, Shahzia Sikander, Frank Thiel, Janaina Tschäpe, James White and Kehinde Wiley.

The third installation, Saturday, June 16th and Sunday, June 17th, highlights the gallery’s younger artists, who were born since 1980, and includes Julian Charrière, Hugo McCloud, Landon Metz, Sam Moyer and Sun Xun.

The tripartite structure of this year’s presentation proposes new contexts for discovering afresh, or re-discovering the varied, yet often conceptually linked production of artists who are associated generationally.

Also on view:

Sam Moyer

Art Basel Unlimited - Booth U18

Sam Moyer, '92 Electric Blue Explorer, 2018, marble, stone, hand painted canvas mounted to MDF panel © Sam Moyer Courtesy: the artist and Sean Kelly, New York

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