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Sean Kelly, Los Angeles is delighted to present Ground Work, a group exhibition organized by Los Angeles-based curator and Executive Director of The Cultivist, Joey Lico. The exhibition brings together fifteen artists whose works respond to the material, psychic, and political dimensions of landscape. Anchored by Duchamp’s seminal photograph Dust Breeding, 1920, Ground Work considers the trace as a radical gesture, foregrounding atmosphere, residue, and the weight of absence over pictorial representation. As Lico states, the artists “gather materials touched by time—ashes, dust, silence, memory—and offer us not declarations, but traces. This is not a show about landscape. It is about what it means to inhabit one.”

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Ground Work unfolds through three thematic undercurrents: Traces of PassageSpatial Resistance, and Temporal Compression. Taken on the surface of Marcel Duchamp’s The Large GlassDust Breeding captures the entropy of material, the residue, and accumulation as a slow representation of time. It offers a conceptual and historical aperture for the exhibition, introducing the idea that what we leave behind can speak louder than what we make. Through photography, sculpture, installation, and painting, the artists in Ground Work echo this ethos, turning away from direct depiction to instead engage with memory, pressure, and transformation.

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Artists addressing the theme of Traces of Passage consider terrain as archive and absence as narrative. Harold Mendez’s works hold the imprint of migration, labor, and layered memory. Drawing from Latin American histories and cultural inheritance, his practice is a quiet excavation—tracing resilience across geography and time.

Hear Harold Mendez discuss his work below.

 

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Dionne Lee’s silver gelatin prints layer fragility and resistance, weaving diasporic placemaking into fractured geographies.

Hear Dionne Lee discuss her work below.

 

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Caleb Hahne Quintana paints atmospheric portraits suspended between memory and departure, while Athena LaTocha embeds earth, ash, and ink into her monumental abstractions, transforming the landscape into surface and scar.

Caleb Hahne Quintana discusses his work in the exhibition below.

 

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Cauleen Smith’s poetic photo-based works and sculptural interventions meditate on grief, resistance, and speculative care.

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Several artists demonstrate Spatial Resistance as they negotiate constraint and collapse in their work. Adrián S. Bará and Sofía Fernández Díaz use industrial and ephemeral materials to sculpt tension between structure and fragility, form and failure.

Hear Adrián S. Bará discuss his work below.

 

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Jacqueline Kiyomi Gork’s installations transform the space through sculptural systems of sound and textiles, creating a conceptual architecture imbued with spatial perception.

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Phaan Howng’s saturated post-landscape sculptures are rooted in speculative survival and ecological resistance.

Phaan Howng discusses her work below.

 

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Maggie West’s immersive underwater projection, lush with color and endangered marine life, offers a crescendo of visual rupture and sensory immersion.

 

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Temporal Compression folds into form in the work of Rodrigo Valenzuela, whose staged photographs of collapse interrogate labor, construction, and failure. 

Rodrio Valenzuela discusses his work in the exhibition below.

 

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Leslie Hewitt’s conceptual rigor lends gravitas to stillness, with photo-sculptural works that compress personal and historical time.

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Jose de Jesus Rodriguez uses fragile materials—fresco, lime, wire—to evoke the vulnerability of built environments.

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

Julian Charrière’s sculpture confronts the ruins of industrial progress and the sublime collapse of nature, holding spectacle and decay in uneasy balance.

Ground Work - Curated by Joey Lico - Exhibitions - Sean Kelly Gallery

In Nobuhito Nishigawara’s ceramic sculptures, ancestral forms and contemporary abstraction collide, collapsing generations into gesture and glaze.

Nobuhito Nishigawara discusses his work in the exhibition below.

 

Together, these artists approach the landscape not as image but as site of erasure and endurance, collapse and continuity. They negotiate with the ground, registering its silences and tensions, refusing to resolve it into a view. Ground Work is an excavation of what lingers: the poetic residue of time, labor, and memory pressed into form.

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of Ground Work curated by Joey Lico at Sean Kelly, Los Angeles, July 17 – August 30, 2025, Photography: Brica Wilcox, Courtesy: Sean Kelly, New York/Los Angeles

Julian Charrière Thickens, pools, flows, rushes, slows, 2020

Julian Charrière
Thickens, pools, flows, rushes, slows, 2020
obsidian
25 9/16 x 27 9/16 x 33 7/16 inches (65 x 70 x 85 cm)
the work is accompanied by a signed certificate of authenticity
JCh-296

Sofía Fernández Díaz

Sofía Fernández Díaz
membrana, 2025
cotton knit, beeswax with cochineal
78 3/4 x 44 1/16 inches (200 x 112 cm)
this work is accompanied by a signed certificate of authenticity
SFD-02

Sofía Fernández Díaz

Sofía Fernández Díaz
recoveco, 2025
wood chip (Chicago), snail shell (bosque Tlalpan), feather and beeswax with cochineal
2 x 1 3/16 x 2 inches (5 x 3 x 5 cm)
this work is accompanied by a signed certificate of authenticity
SFD-03

Jacqueline Kiyomi Gork

Jacqueline Kiyomi Gork
Bass Trap 1, 2022
fiberglass, steel, New Zealand wool
113 x 18 x 18 inches (287 x 45.7 x 45.7 cm)
the work is accompanied by a signed certificate of authenticity
JKG-22.011

Leslie Hewitt Untitled (Maddened by Love), 2019

Leslie Hewitt
Untitled (Maddened by Love), 2019
52 3/8 x 62 3/16 x 7 1/16 inches (133 x 158 x 17.9 cm)
Edition of 3 with 1 AP (#2/3)
digital chromogenic print in custom elm frame
LHe-51095.2

Phaan Howng Species, 2023

Phaan Howng
Species, 2023
acrylic on linen
60 x 46 x 1 1/2 inches (152.4 x 116.8 x 3.8 cm)
signed and dated by artist, verso
Howng-066

Athena LaTocha There Will Come a Soft Rain, 2025

Athena LaTocha
There Will Come a Soft Rain, 2025
signed by artist, verso
shellac ink, synthetic walnut ink, sand pigments, inkjet on paper
44 x 88 inches (111.8 x 223.5 cm)
ALT-01

Dionne Lee Untitled Rock Drawing VI, 2024

Dionne Lee
Untitled Rock Drawing VI, 2024
solarized silver gelatin print
paper: 10 x 8 inches (25.4 x 20.3 cm)
edition of 5 with 2 APs (#1/5)
DLe-0018.1

Harold Mendez On Midnight's Pall, 2025

Harold Mendez
On Midnight's Pall, 2025
cotton, gesso, watercolor, toner, stipple and wax marking pencil mounted on Dibond in two panels
overall: 68 x 120 x 1 inches (172.7 x 304.8 x 2.5 cm)
signed by artist, verso
HMe-188

Harold Mendez Consent not to be a single being, 2018

Harold Mendez
Consent not to be a single being, 2018
archival pigment print mounted on dibond, framed
print: 36 x 27 inches (91.4 x 68.6 cm)
framed: 37 x 28 x 1 1/2 inches (94 x 71.1 x 3.8 cm)
Edition of 3 with 1AP (#AP1)
signed by artist, verso
HMe-001.AP1

Nobuhito Nishigawara Qualia #610, 2024

Nobuhito Nishigawara
Qualia #610, 2024
recomposed rock with ceramic glaze and gold
7 x 10 x 7 inches (17.8 x 25.4 x 17.8 cm)
the work is accompanied by a signed certificate of authenticity
NoNi-005

Caleb Hahne Quintana

Caleb Hahne Quintana
Who Remembers When No One Is Asking (La Tierra Amarilla), 2024
oil and acrylic on linen
50 x 120 inches (127 x 304.8 cm)
CHQ-1073

Marcel Duchamp Elevage de Poussière (Dust Breeding), 1964

Marcel Duchamp
Elevage de Poussière (Dust Breeding), 1964
gelatin silver print
paper: 9 3/8 x 11 7/8 inches (23.8 x 30.2 cm)
framed: 19 7/8 x 22 3/8 x 1 3/8 inches (50.5 x 56.8 x 3.5 cm)
edition of 10 (#1/10)
signed and dated by Man Ray and Marcel Duchamp, recto
MD-82

Jose de Jesus Rodriguez

Jose de Jesus Rodriguez
Someone Marry my uncle; Nice guy, 2024
oil, acrylic, airbrush, suspended pigment, sand, slated lime putty, and chicken wire on panel
64 1/4 x 48 x 2 1/2 inches (163.2 x 121.9 x 6.3 cm)
signed, titled and dated by artist, verso
JJR-01

Cauleen Smith Already ended, 2022

Cauleen Smith
Already ended, 2022
Ink, acrylic, and oil stick on photo print
paper: 40 x 31 inches (101.6 x 78.7 cm)
framed: 42 x 33 inches (106.7 x 83.8 cm)
CaS-MM1065

Rodrigo Valenzuela American-type #8, 2018

Rodrigo Valenzuela
American-type #8, 2018
archival pigment print
print: 44 1/8 x 36 1/16 inches (112.1 x 91.6 cm)
framed: 45 1/8 x 37 1/16 x 1 1/2 inches (114.6 x 94.1 x 3.8 cm)
Edition of 1 with 1AP (AP1)
signed by artist, verso
RVa-03.AP1

Maggie West Aquatica, 2025

Maggie West
Aquatica, 2025
Four channel video installation, HD projection, color, sound
Duration: 3 min
edition 3 with 1AP (#1/3)
MWe-001.1

Maggie West Burn, 2025

Maggie West
Burn, 2025
37 1/4 x 28 x 2 1/4 inches (94.6 x 71.1 x 5.7 cm)
edition of 5 with 1 AP (#1/5)
acrylic, Photo prints on silver metallic paper, wood
MWe-002.1