Sean Kelly is delighted to present RÍO, Ana González’s third exhibition with the gallery. Conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles. Employing textiles, painting, porcelain, and video the exhibition conjures memory, emotion, and material transformation. Informed by indigenous cultures and their relationship to the land, water, and forests as living entities, the exhibition offers an immersive meditation on fragile ecosystems and the urgent need to re-sanctify the natural world.
The exhibition opens with new works from González’s Devastations series, created from sublimated photographic images of rivers flowing from the Amazon and the Andes Mountains. Drawing on ethnographic understandings of forests and waterways as sacred territories of abundance and renewal, González physically unravels the fabric of each work from the bottom up, thread by thread. This act of deconstruction becomes a powerful metaphor for the slow unweaving of nature under increasing human pressure.
In RÍO, González introduces two new color palettes to the series: a rose hue referencing the shifting light of Amazonian sunsets, and a gold palette that alludes to El Dorado and the mythic pursuit of boundless wealth. In her use of gold, González reframes the legend, suggesting that it is the region’s natural resources that constitute its true treasure. The iconic green tones, evoke both vegetation and currency, underscoring the tension between economic exploitation and the sacred value of life, echoing Alexander von Humboldt’s assertion that nature exists as an interconnected fabric, vulnerable to disruption at every point.
“[It's] understanding that what we're seeing right now [nature] has so little time left. It was about being able to bring the beauty of these landscapes, these nature reserves, this nature into art and to raise awareness about the fact that it's disappearing."
- Ana González
González’s paintings, drawings, and watercolors hover between presence and disappearance, dissolving into mist and drizzle like fleeting recollections of paradise. They chart a geography where interior and exterior worlds converge, transforming painting into an act of resistance and a provocation, to preserve what is sacred before it vanishes.
“It’s that antagonism between the beauty of what remains, but also what is disappearing minute by minute; or the porcelain pieces that speak of beauty, but also of fragility. Everything speaks a little of that contradiction."
- Ana González
Sculptures in Limoges porcelain are suspended as a delicate cascade of heliconias and orchids rendered in luminous white. Historically associated with purity and refinement, porcelain becomes a poetic medium through which the artist addresses ecological fragility. Each sculpture embodies both resilience and vulnerability, revealing how beauty and destruction coexist within the same fragile surface.
A new video work further immerses viewers in the rainforest, capturing the ambient sounds of birds and flowing water recorded during González’s travels by boat. This sensory portrait foregrounds the unseen labor and lived experience behind González’s practice, reinforcing the exhibition’s emphasis on process, and presence. The exhibition concludes with a vitrine displaying small porcelain sculptures alongside travel journals, sketches, and objects carried by the artist on her journeys. Together, these elements form a mnemonic archive of observation and remembrance, bearing witness to the artist’s pilgrimage through threatened yet sacred landscapes.
RÍO is ultimately a meditation on loss and persistence, on forests and rivers at risk, yet still alive in collective memory and imagination. Through the sensuality and beauty of the tropics, González invites viewers to recognize the places of power embedded within the natural world and to reconsider our responsibility to protect the environments that sustain both life and the spirit.
For all other inquiries, please email Thomas Kelly at Thomas@seankellyla.com
For media inquiries, please email Adair Lentini at Adair@skny.com
Amazonian Thinker Stools
Ana González’s collaboration with Cartier reflects her longstanding commitment to working in meaningful partnership with the Indigenous communities in the Amazon. In collaboration with the Amazon Conservation Team and Cartier, González helped realize the UASC Uancia Health Center, a traditional healthcare house located in the Colombian Amazon. The center, developed to serve 19 communities across Putumayo, Caquetá, and Amazonas, regions where access depends entirely on river transportation, provides essential medical care while honoring ancestral knowledge systems.
To further support this initiative, González is offering Amazonian Thinker Stools, each uniquely handmade and hand-carved by Yolima’s Indigenous artisans in Leticia, Amazonas. Crafted from Chonta Palm (Macana), a type of wood traditionally used in the maloca for the transmission of ancestral wisdom, these works function as both sculptural objects and vessels of cultural continuity. Made from fallen trees, the patina is created from rubbing them with glass bottles. Proceeds from their sale raise funds for a boat to transport patients and critical medical supplies, extending the reach of the health center and reinforcing González’s belief that art can serve as a bridge between cultural preservation, environmental stewardship, and tangible social impact.
To coincide with González’s exhibition RÍO, we are offering 15 stools for sale. Each one is priced at $1,000. All proceeds will go towards the purchase of a boat for transportation.
For additional information, please email info@skny.com