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Sean Kelly at Taipei Dangdai 2019

Sean Kelly at Taipei Dangdai 2019
January 18 - 20, 2019, Booth B11
Photography: Sebastiano Pellion di Persano

Sean Kelly at Taipei Dangdai 2019

Sean Kelly at Taipei Dangdai 2019
January 18 - 20, 2019, Booth B11
Photography: Sebastiano Pellion di Persano

Sean Kelly at Taipei Dangdai 2019

Sean Kelly at Taipei Dangdai 2019
January 18 - 20, 2019, Booth B11
Photography: Sebastiano Pellion di Persano

Sean Kelly at Taipei Dangdai 2019

Sean Kelly at Taipei Dangdai 2019
January 18 - 20, 2019, Booth B11
Photography: Sebastiano Pellion di Persano

Sean Kelly at Taipei Dangdai 2019

Sean Kelly at Taipei Dangdai 2019
January 18 - 20, 2019, Booth B11
Photography: Sebastiano Pellion di Persano

Sean Kelly at Taipei Dangdai 2019

Sean Kelly at Taipei Dangdai 2019
January 18 - 20, 2019, Booth B11
Photography: Sebastiano Pellion di Persano


CLAMP II, 2014
cast iron
56 7/8 x 23 1/2 x 21 1/2 inches (144.5 x 59.5 x 54.5 cm)

HUGO MCCLOUD interstice, 2018

interstice, 2018
patina, oil stick, solder on solid bronze sheet, mounted on aluminum frame 
79 x 66 1/2 inches (200.7 x 168.9 cm)

JULIAN CHARRIÈRE Enyu I - Terminal Beach, 2016

Enyu I - Terminal Beach, 2016
large format black and white photograph, double-exposed through thermonuclear strata, archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass
paper: 47 1/4 x 59 1/16 inches (120 x 150 cm)
framed: 48 3/8 x 60 3/16 x 1 5/8 inches (122.8 x 152.8 x 4.2 cm)
edition of 3 with 1 AP 

JOSE DÁVILA Untitled, 2017

Untitled, 2017
cardboard boxes, acrylic paint and bottle caps
each box: 9 1/16 x 18 5/16 x 19 11/16 inches (23 x 46.5 x 50 cm)
overall: 181 1/8 x 18 5/16 x 19 11/16 inches (460 x 46.5 x 50 cm)

Janaina Tschäpe WinterSkin, 2018

Janaina Tschäpe
WinterSkin, 2018
casein and watercolor pencil on canvas
68 3/4 x 80 1/2 inches (174.6 x 204.5 cm)
signed and dated by the artist, verso

JAMES WHITE The Foil, 2015

The Foil, 2015
oil and varnish on acrylic sheet in Perspex box frame
painting: 48 7/8 x 58 7/8 inches (124.1 x 149.5 cm)
framed: 50 5/8 x 60 1/2 x 2 3/4 inches (128.6 x 153.7 x 7 cm)

LIU WEI 180 Faces, 2017-2018

180 Faces, 2017-2018
10 framed paintings
dimensions variable
signed and dated by the artist, verso

MARIKO MORI Plasma Stone I, 2017-2018

Plasma Stone I, 2017-2018
Dichroic coated layered acrylic, Corian base
76 3/8 x 31 1/2 x 44 1/8 inches (194 x 80 x 112.1 cm)
edition of 3 with 2 APs 

TEHCHING HSIEH Tehching Hsieh 1978 - 1999

Tehching Hsieh 1978 - 1999
posters and statements mounted on boards in 6 parts
statement: 11 x 8 1/2 inches (27.9 x 21.6 cm) each
poster: 16 3/4 x 11 inches (42.5 x 27.9 cm) each
board: 21 x 25 inches (53.3 x 63.5 cm) each
framed: 22 x 26 x 1 1/2 inches (55.9 x 66 x 3.8 cm) each
edition of 36 


Taipei Dangdai

January 18 – 20, 2019

Booth B11

台北當代藝術博覽會 2019 1/18-1/20



Sean Kelly is delighted to announce our participation in the inaugural edition of the Taipei Dangdai art fair. Our booth, B11, will feature a dynamic, carefully curated presentation of works by Gallery artists that reflects the global diversity and conceptual engagement for which our program is famous. This selection of new and iconic works by artists including Marina Abramović, James Casebere, Julian Charrière, Jose Dávila, Antony Gormley, Ilse D’Hollander, Tehching Hsieh, Callum Innes, Idris Khan, Hugo McCloud, Mariko Mori, Sam Moyer, Janaina Tschäpe, Liu Wei, James White and Sun Xun exemplifies the Gallery’s ongoing commitment to presenting important contemporary art.



We will present important early work by Marina Abramović. Published by the gallery in 1994 and rarely seen outside of museum context, this work is part of the artist’s early solo performances from 1973-1975. The inclusion of this work at the fair highlights the three-decade professional collaboration between Marina Abramović, internationally recognized as the most significant figure in the history of performance art, and the gallery. 



American born, James Casebere is a pioneer in the field of constructed photography. For over thirty years Casebere has created increasingly complex models based on architectural, art historical and cinematic sources. These table-sized tableaux are made of simple material pared down to essential forms. His newest body of work, “Pavilions for the Future,” imagines hybrid forms of buildings by the ocean.

美國藝術家詹姆斯・卡斯貝爾為「建構攝影」流派的先鋒,在至今三十多年的創作生涯中,從建築、藝術史、電影中汲取靈感,創造出複雜的模型,而這些桌面大小的場景是由一些簡易物件所構成的基本形式。卡斯貝爾最新的作品〈Pavilions for the Future〉描繪他想像中位於海邊的各式建築。


Swiss artist Julian Charrière, whose work is concurrently on display at Taipei Fine Arts Museum as part of the Taipei Biennial, will be represented by his Metamorphism series. An amalgam of cultural memories incorporated into a geological matrix, these sculptures are displayed in vitrines like topological fragments from a futuristic natural history museum. Charrière’s work draws on ideas about ephemerality, the passage of time and humanities ill-conceived environmental impact.

瑞士藝術家朱利安・夏利耶的作品現正同步於台北雙年展(2018/11/17 - 2019/03/10)展出,並將以〈Metamorphism〉系列作參加台北當代。作品將文化記憶融入地質環境,雕塑被放置在玻璃櫥窗內展示,像是在未來感的自然歷史博物館中觀看拓墣學片段。夏利耶的作品以「無常性」為主題,描繪時間的流逝,以及人類因欠缺思量對環境所造成的影響。


Born and based in Guadalajara, Mexico, Jose Davila produces a varied body of work that playfully and critically explores the visual tropes and iconic symbols of modern art, architecture and urban design. Drawing on his formal training as an architect, Dávila creates sculptural installations and photographic works that simultaneously emulate, critique and pay homage to 20th century avant-garde art and architecture. Davila’s work was recently included in an exhibition at the Yuz Museum Shanghai in the fall of 2018.



We will also present important sculpture and works on paper by British artist Antony Gormley, who is internationally recognized for his sculptures, drawings, installations, and public works that investigate the relationship of the human body to space. Throughout his career, Gormley’s celebrated work in all media has confronted the fundamental questions of where human beings stand in relation to nature and the cosmos. Gormley was awarded the Turner Prize in 1994, and many other international awards.



Belgian artist, Ilse D’Hollander (b. 1968 – d.1997) created work during a very brief period, from 1989 until her early, unexpected and tragic death at the age of 29. D'Hollander’s oeuvre exhibits a highly developed sense of color, composition, scale and surface, through the use of subtle tones and pared down compositions. An artist’s artist, her canvases and works on paper favor abstraction, yet subtly allude to the everyday, hinting at nature and the landscape of the Flemish countryside where she spent the last and most productive years of her life.



Renowned Taiwanese performance artist Tehching Hsieh, who represented his country at the 2017 Venice Biennale, is widely recognized for his durational performance works which challenge ideas of isolation, security, and freedom. The set of six limited edition posters and statements we will present document the continuous yearlong performances and actions Hsieh enacted in New York City between 1978 – 1999. These documents trace Hsieh’s abiding and radical interest in exploring conflict in the relationship of the human body to its natural environment.  



Internationally renowned Scottish artist Callum Innes is recognized as one of the most significant abstract painters of his generation. Innes’s process involves an interplay between additive and subtractive processes—continually adding and removing pigment—to achieve sophisticated and contemplative abstractions. Concurrent with the fair, Innes will have a solo exhibition of new paintings at the Sean Kelly Asia project space in Taipei.



British artist Idris Khan, produces work that inhabits the space between abstraction and figuration. Drawing on diverse cultural sources including literature, history, art, music and religion, Khan has developed a unique narrative involving densely layered imagery that speaks to themes of history, cumulative experience and the metaphysical collapse of time into single moments. Khan was recently commissioned to create the first site-specific artwork for the British Museum, London.



New York based artist Hugo McCloud will be represented by a work from his “Metal Painting” series. Inspired by the rawness of the urban landscape, McCloud’s creates rich, large-scale abstract paintings and sculptural objects by fusing unconventional industrial materials—tar, bitumen, oxidized steel plates—with traditional pigment and woodblock printing techniques. His process is instinctive and physical, driven by an enduring desire to uncover beauty in the overlooked.

紐約藝術家雨果・麥克勞德將呈現其《Metal Painting》系列中的一件作品。藝術家受都市風景中的能量啟發,創造出風格濃烈、大件尺寸的抽象畫作,同時他也使用不尋常的工業物件,熔合焦油、瀝青、氧化鋼板,結合傳統顏料和版畫技術創作雕塑。他的創作過程充滿直覺性及勞動性,持續探尋容易為人們忽略而潛藏的美。


Japanese artist Mariko Mori will be featured on the booth with a single, monumental sculpture, Plasma Stone I, 2017-2018.  Mori’s artistic practice explores universal questions at the intersection of life, death, reality and technology; this sculpture represents her interpretation of the beginning of the universe, a memory of its plasma state following the Big Bang, which is represented throughout the piece in a full spectrum of color. Other works from this series are in museums worldwide.

日本藝術家森萬里子的創作經常探索宇宙問題——生/死、真實世界/科技虛擬間的交界;本次將出展的大型單件雕塑〈Plasma Stone I〉(2017-2018),是她對宇宙初始的個人詮釋,雕塑中橫跨光譜的顏色,代表宇宙大爆炸後呈現的電漿狀態。此系列其他作品同時也已被世界各地的美術館所收藏。


New York based artist Sam Moyer has developed a distinctive language of abstraction that considers questions of value, labor and beauty. Her practice has evolved from its more conceptual and process-based origins to address formal and theoretical issues regarding the construct of painting. In her work, issues of scale and space remain critical. Moyer is particularly interested in the way architecture functions in tandem with her objects to create dynamic visual experiences.



In October 2018, the gallery opened its first solo exhibition of new work by German-Brazilian artist Janaina Tschäpe. Noted for her atmospheric abstractions that blur perceptions of illusion and reality, Tschäpe’s work incorporates themes of aquatic, plant and human life to suggest dreamlike, abstract landscapes. Our presentation in Taipei will feature a selection of works in watercolor on paper and a large-scale painting.



Beijing-based artist Liu Wei’s exhibition 180 Faces, presented at our New York space in May 2018, was the artist’s first exhibition in the United States in sixteen years. His series of 180 “psychological portraits” conjured references as diverse as Velasquez and Van Gogh, Cezanne and Gauguin, Ensor and Brueghel, to depict the human condition. Like his Western forebears Francis Bacon and Lucien Freud, Liu Wei is a master of rendering human flesh and combining figuration with abstraction.

2018年五月,紐約尚凱利畫廊舉辦北京藝術家劉煒的展覽《180 Faces》,這是藝術家16年來首次在美國的展出。劉煒作品從各個經典藝術史人物,包括維拉斯奎茲和梵谷、塞尚和高更、詹姆斯・恩索和老布勒哲爾的創作中變幻出對於人的狀態的描寫。如另外兩位西方前輩畫家法蘭西斯・培根和盧西安・弗洛伊德,劉韡也擅於轉譯人體,結合具象於抽象之中。


British artist James White is known for his luminous paintings, meticulously rendered exclusively in black and white and the shades in between. White’s commitment to representational painting imbues his work with a fundamental permanence, underscoring the continuity in moments of silence, doubt and repose that have been the subject of art for centuries. White’s masterfully rendered moments of everyday life bear comparison to the quietude of paintings by the Flemish masters and Lucian Freud’s early interiors.



Considered one of Asia’s most talented young artists, Sun Xun’s artistic practice combines exquisite craftsmanship with stylistic experimentation. Blurring the lines between drawing, painting, animation, film and installation, his work incorporates a wide array of materials and processes. Painting, woodcut, and traditional Chinese ink and charcoal drawing are often combined to create his expressionistic, stop-motion animated films.



We look forward to welcoming you to our booth and connecting in Taipei.

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For all inquiries, please contact the gallery at 212.239.1181 or