Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Installation view of Los Carpinteros: Rumba Muerta at Sean Kelly, New York
February 4 - March 19, 2011
Photography: Jason Wyche, New York
Courtesy: Sean Kelly, New York

Los Carpinteros Sean Kelly Gallery

Luces del estadio del Pueblo, 2011
VIROC, aluminum, LED lights
90 1/2 x 82 5/8 x 35 1/2 inches (230 x 210 x 90 cm) each
LC-11S003

Los Carpinteros Sean Kelly Gallery

Cuarteto, 2011
wood, metal and chrome bronze
dimensions variable
LC-11S006

Los Carpinteros Sean Kelly Gallery

Sala de Lectura Ovalada, 2011
Ultralight MDF
118 1/8 x 276 1/2 x 166 7/8 inches (300 x 702.3 x 424 cm)
unique with 1 AP
LC-11S005

Los Carpinteros Sean Kelly Gallery

Túnel hacia el mismo punto II (díptico), 2010
watercolor on paper
paper: 25 1/2 x 81 1/2 inches (65 x 207 cm)
framed: 28 3/8 x 84 3/8 inches (72.1 x 214.3 cm)
LC-10D071

Los Carpinteros Sean Kelly Gallery

Túnel hacia el mismo punto III, 2010
watercolor on paper
paper: 29 3/8 x 82 1/4 inches (74.5 x 209 cm)
framed: 32 x 87 inches (81.3 x 221 cm)
LC-10D072

Los Carpinteros Sean Kelly Gallery

Marea Roja, 2008
watercolor on paper
paper: 78 3/4 x 45 1/16 inches (200 x 114.5 cm)
framed: 82 x 47 inches (208.3 x 119.4 cm)
LC-08D045

Los Carpinteros Sean Kelly Gallery

Sala de Lectura Ovalada (prototipo), 2011
1/8 inch MDF
22 1/4 x 51 1/8 x 31 1/2 inches (56.5 x 129.9 x 80 cm)
edition of 5 with 1 AP
LC-11S018

Press Release

Sean Kelly is delighted to announce the opening of Rumba Muerta, an exhibition of new work by the Cuban duo Los Carpinteros. The opening will take place on Thursday, February 3rd from 6-8pm. The artists will be present.

Rumba Muerta is Los Carpinteros’ first exhibition at the gallery since their acclaimed 2008 show, Montaña Rusa. The central theme in Los Carpinteros’ work is the idea of transformation. According to the artists, that transformation sometimes occurs “in the morphology and physicality of an object and at other times in its meaning, interpretation and function.” As such, Los Carpinteros allow the titles “to reveal something, a certain form of meaning or to subvert the official meaning that people attribute to things.” The title of the new exhibition, Rumba Muerta, is meant to conjure up an imaginary world evocative of the dying notes at the end of a bittersweet song.

The exhibition will be comprised of three distinct sculptural installations. Luces del Estadio del Pueblo (People´s Stadium Lights) will be installed in the first gallery and alludes to an ambivalent symbolism sometimes associated with urban architectural structures. Its form is inspired by the PanAmerican stadium in Havana, which was built for the PanAmerican Games in 1991. The stadium was intended to be a symbol of economic strength, but instead became an indicator of the acute financial crisis that occurred during the Nineties. The harsh glare of the lights from the imposing sculptures will flood the gallery as a reminder of the perennial threat of observation in totalitarian regimes.

The second gallery will contain Cuarteto, a melted salsa band comprised of drums, congas and a standup bass. The work addresses politics and ideologies with the artists’ trademark sense of humor. The musical instruments appear to be melting into brightly colored pools on the ground, as if they had been exposed to high temperature or pressure – literally having a “meltdown” – a metaphor for the psychological meltdown of individuals in some constrained societies.

Sala de Lectura Ovalada, a ten-foot high reading room devoid of books, will be installed in the main gallery, surrounded by three large-scale drawings. The installation references ideas about confinement through the control of individuals and information. This reading room, which functions as both furniture and architecture, takes its shape from panopticon prisons, a configuration developed in the 18th century allowing a centrally placed guard to watch prisoners without them being aware that they are being observed and monitored.

Los Carpinteros are without question the most significant artists to have emerged from Cuba in the last decade. Their work is featured in the collections of the Solomon R. Guggenheim Museum, New York; The Museum of Modern Art, New York; The Los Angeles County Museum of Art; The Museum of Contemporary Art, Los Angeles and The Tate Modern, London, among others. Free Basket, a site-specific work commissioned by the Indianapolis Museum of Art in 2010, is permanently installed in the 100 Acres park on the museum’s grounds.

Los Carpinteros: Handwork – Constructing the World is a major monograph recently published by Thyssen-Bornemisza Art Contemporary and Walther König. At 380 pages, this is the most comprehensive book on the artists to date; it includes essays by Paulo Herkenhoff and Helen Molesworth, to name a few. The book is available for purchase through the gallery (a special edition of the book will be available as well). The artists will sign copies of the book at the opening.

Rumba Muerta is timed to coincide with this year’s Armory Show, which focuses on Latin American art.

Checklist

LOS CARPINTEROS
Rumba Muerta
February 4 – March 19, 2011

Gallery 1

Luces del estadio del Pueblo, 2011
VIROC, aluminum, LED lights
90 1/2 x 82 5/8 x 35 1/2 inches (230 x 210 x 90 cm) each
work is accompanied by a signed certificate of authenticity

Gallery 2

Cuarteto, 2011
wood, metal and chrome bronze
dimensions variable
unique
work is accompanied by a signed certificate of authenticity

Main Gallery (clockwise from east wall):

Túnel hacia el mismo punto II (díptico), 2010
watercolor on paper
paper: 25 1/2 x 81 1/2 inches (65 x 207 cm)
framed: 28 3/8 x 84 3/8 inches (72.1 x 214.3 cm)
titled, signed and dated by the artists, recto

Túnel hacia el mismo punto III, 2010
watercolor on paper
paper: 29 3/8 x 82 1/4 inches (74.5 x 209 cm)
framed: 32 x 87 inches (81.3 x 221 cm)
titled, signed and dated by the artists, recto

Túnel hacia el mismo punto (díptico), 2010
paper: 25 1/2 x 81 1/2 inches (65 x 207 cm)
framed: 28 3/8 x 84 3/8 inches (72.1 x 214.3 cm)
titled, signed and dated by the artists, recto

Center:
Sala de Lectura Ovalada, 2011
Ultralight MDF
118 1/8 x 276 1/2 x 166 7/8 inches (300 x 702.3 x 424 cm)
work is accompanied by a signed certificate of authenticity

Executive Director’s Office (behind reception):

Marea Roja, 2008
watercolor on paper
paper: 78 3/4 x 45 1/16 inches (200 x 114.5 cm)
framed: 82 x 47 inches (208.3 x 119.4 cm)
titled, signed and dated, recto


Private Viewing Room:

Sala de Lectura Ovalada (Prototipo), 2011
1/8 inch MDF
22 1/4 x 51 1/8 x 31 1/2 inches (56.5 x 129.9 x 80 cm)
edition of 5 with 1 AP
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